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Our goal is and always has been to achieve the quality of the original film. This is no easy task for several reasons. First, movie film has a very high level of detail & resolution. In fact, 8mm and Super 8 film have around 800 lines of resolution (more than today's DVDs), 16mm film has 1600 lines of resolution (more than HD video). Second, since the film was originally recorded, it has degraded - color shifted, is darker, has scratches on it and is grainy.

Throughout the years, attempts have been made to reach the goal of getting a digital copy as good as the film was originally. Our company has by far done more work in this area than any other film transfer company in the world. The proof is in the processes and quality that we offer.

One of the best ways to describe our film transfer processes is to imagine that you can compare the film, as it looks today, to the video produced from each of our processes side by side. Meaning, pretend that you had the same film go through our Bronze, Silver, Gold and Platinum process. When you get it back, you setup your projector and compare them side by side.

If you are interested in additional details and the basic types of film transfer technologies being used by the industry today, see Our Film Transfer Processes - Additional Details and Film Transfer Basics.
 

Bronze

  Standard Definition
 
Software Frame by Frame

The video from the Bronze process will be 30-50% less quality than the film. This is true of any Software Frame by Frame (or Real_Time) transfer system. The Bronze process does not capture the Full Frame and does not include any restoration.

Silver

  Standard Definition
  Full Frame
 
Hardware Frame by Frame

A Hardware Frame by Frame process will result in video that is similar to the film. The video is sharper and has less grain compared to the Bronze. Because this is a standard definition process, it will only have about 2/3 of the detail compared to the original film.


 

Gold

Standard Definition
Full Frame 

Hardware Frame by Frame Hollywood Restoration I

The Gold process will result in video that looks better than the film because of the frame by frame restoration  (color, exposure, removal of the grain & scratches). Because this is a standard definition process, it will only have 2/3 of the detail compared to the original film.

Platinum HD

  High Definition 
 
Hardware Frame by Frame
  Hollywood Restoration I

  Hollywood Restoration II

The high definition frame by frame scan picks up all the details from the film. You can see the imagine looks sharper and more 3-D, has less grain and the colors are better than the Gold process. Click here to see a larger resolution picture.

 

Our Film Transfer Processes - Additional Details

Our goal is and always has been to achieve the quality of the original film. This is no easy task for several reasons. First, movie film has a very high level of detail & resolution. In fact, 8mm and Super 8 film have more resolution and detail than today's DVDs, 16mm film has more resolution and detail than HD video. Second, since the film was originally recorded, it has degraded - color shifted, is darker, has scratches on it and is grainy.

Throughout the years, attempts have been made to reach the goal of getting a digital copy as good as the film was originally. Our company has by far done more work in this area than any other film transfer company in the world. The proof is in the processes and quality that we offer.

Bronze

First Process (1970’s to Present):
The original film transfer process was developed in the 1970's and 1980's. Most film companies call this a real-time transfer. This is essentially what most film transfer companies still use today and is what our Bronze transfer is. Essentially, the film is being projected onto a surface and is video taped from that surface. A real-time transfer like this only captures about 50% of the quality of the film as it looks now (not as it was originally).


Silver

Frame by Frame (1990’s to Present):
We developed the Silver transfer process in the 1990's to improve upon this. We stop and scan each frame one by one like you would scan photographs into you computer. The scanning resolution of the process allows it to capture about 70% of the details from the film. This is over a 50% improvement over the Bronze. So, the Silver process will look similar to the film if you were to get it out and play it on a projector but will lack some details because it isn't being scanned at the original film resolution.

 

Gold

Hollywood Restoration (2001 to Present):
The Gold process was developed in 2001 and is the first process in the United States that starts to recover the lost quality on the film since it was recorded. Over 90% of the film we see today needs restoration work. The film is scanned frame by frame just like the Silver process. After the scan, we correct each frame by itself for color, exposure, grain and scratches using our Hollywood Restoration equipment. The restoration equipment was originally made to restore 35mm/70mm Hollywood films but has been modified to work on 8mm, Super 8 & 16mm film. On average, the Gold process produces video that is 40% better than the Silver because of the restoration and is approaching the original quality of the film.
 


 

Platinum HD

High Definition Scan (2005 to Present):
Even though the Gold process is very good, it is not scanning the film at it's original resolution. This can only be done with a high definition scan of the film. Our recently developed Platinum process scans each frame of the film at high definition resolution. After the scan, we correct the colors, exposure and remove the majority of grain and scratches using our Hollywood restoration equipment in true high definition. This is the only process that can capture the film's original color, exposure and detail. The Platinum process will produce video that is about 40-50% better than the Gold due to the high definition scan and high definition restoration. The Platinum process faithfully produces digital video quality as good as the original 8mm, Super 8 or 16mm film.
 

 

 

 

Film Transfer Basics

Video has several characteristics that determine how good it is. One of the most important characteristics is the number of lines of resolution. The resolution determines how detailed and sharp the video is. If you’ve ever watched a standard definition video channel on an HDTV and then switched to the high definition (HD) version, you notice that the HD version is much sharper and detailed. The reason is that standard definition video has 480 horizontal lines while HD has 1080 lines. In a similar way, a film transfer can deliver video in standard definition or high definition. Just like the TV channels, a high definition film transfer will look much better than a standard definition film transfer.

Equally important as resolution is the type of film transfer. There are a few basic types of film transfer processes. More than 95% of the companies out there today use a Real-Time transfer.  Any type of real-time film transfer will result in video that is 30-50% worse than the film’s current condition.

There is a hybrid of a real-time process called Software Frame by Frame. The video is captured in real-time and then the original film frames are extracted from the video. This reduces the interlacing affects of a real-time capture. Because the capture is real-time, the resulting video from a software frame by frame process will be 30-50% worse than the film's current condition but will have less interlace video artifacts than a real-time transfer.

A second and much newer film transfer process is called Hardware Frame By Frame. A hardware frame by frame process means that each film frame is captured like a separate digital picture. Reading each frame one at a time maximizes the detail that is captured. The level of detail is only limited by the process resolution (number of horizontal lines). A hardware frame by frame process will result in video that is 30-50% better than a similarly configured real-time or software frame by frame process.

So, at this point you’ve learned that film transfers can capture at standard definition (480 lines) or high definition (1080 lines). You’ve also learned about the 3 different types of film transfers being used today. In order from least to best quality we have:

1) Real-Time Standard Definition (least quality)
2) Software Frame by Frame Standard Definition
3) Real-Time High Definition
4) Hardware Frame by Frame Standard Definition
5) Hardware Frame by Frame High Definition (best quality)

The film transfer processes above are the basics types and do not include any restoration by themselves. Because over 90% of the old movie film we see needs restoration work, we've developed our Hollywood Restoration I and Hollywood Restoration II technology which can increase the quality of the film transfer by 30-80%.

 


*Quality of restoration is dependent upon condition of existing film stock; severely deteriorated original materials may be beyond the reach of even the most sophisticated restoration methods. Click Here for more information. Refunds are only given if a competitor can obtain better quality (defined by clarity, color, graininess and scratches) for a similar price (within 10% of ours). Under these fair terms, we've never had to give a refund.


 

 

 

If you are not completely satisfied with your film transfer order, we will do it again for free or refund your money*


Right now, get up to 35% off until  This is an excellent opportunity to pass your precious memories to your family's newest generation.


8MM Digital Restoration

We are the only company in the USA that can restore your 8MM, Super 8 or 16MM film to their original clarity or better*.


Outsource Your 8MM Video Conversion

We at The Video Conversion Experts take such pride in the quality of our work that numerous companies in the film transfer industry use us for their transfers.

If you'd like information about outsourcing your transfer work, please
contact us to inquire.


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